There is a reason certain Christmas movies stand the test of time and return year after year, and also a reason the Hallmark-style factory-made product
Category: Reviews
‘Paddington In Peru’ Review: Olivia Colman & Antonio Banderas Join Threequel As Continued Story Of The Little Bear Welcomed By Strangers Remains Magical
Olivia Colman plays a singing nun. I’m almost prepared to say that’s all you need to know about Paddington in Peru: that Olivia Colman, living
“Ghost Trail”… Documents a Syrian refugee’s pursuit of his “torturer” in France
A victim searches for his torturer to take revenge on him. Upon his arrival, his view of dealing with this torturer changes, whose face he
‘Emmanuelle’ Review: Audrey Diwan’s Update of a ’70s Softcore Hit Is More Pretty Than Purposeful
A snigger-trigger from the moment its first trailer dropped, erotic drama Emmanuelle is more or less the embarrassing exercise in pointless revisionist filmmaking most were
‘Heretic’ Review: Hugh Grant Is Genteelly Terrifying as a Creep Hell-Bent on Converting Others to His ‘One True Religion’
The movie’s two young missionaries should have thought twice about entering the elaborate trap set for them in Scott Beck and Bryan Woods’ sleek theological
‘Never Let Go’ Review: Halle Berry Stokes the Ambiguity but Can’t Stop Alexandre Aja’s Horror Fairy Tale From Stalling
Splat Pack veteran Alexandre Aja tries his hand at family-in-peril horror along the lines of the Quiet Place franchise with Never Let Go. But mostly,
‘Shell’ Review: Elisabeth Moss and Kate Hudson Headline a Superficial but Serviceable Horror Comedy
Shell is a film made with the intention of being a guilty pleasure. It wants to be the film one would encounter on cable in
Conclave review – Ralph Fiennes takes charge of tense papal election thriller
Like the easily devoured paperback it’s based on, pulpy papal thriller Conclave has a brisk, page-turning allure, filled with juicy intrigue and mystery, a beach
‘Without Blood’ Review: Salma Hayek Pinault and Demián Bichir in Angelina Jolie’s Overly Cautious War Parable
A woman (Salma Hayek Pinault) walks into a plaza sparsely occupied by patrons enjoying an afternoon coffee and a magazine and lottery ticket kiosk. She
‘Beetlejuice Beetlejuice’ Review: Tim Burton’s Lightweight Sequel Works as Ghostly Fan Service
Back in 1988, “Beetlejuice” was a comedy, a ghost story, a high-camp horror film, and a macabre funhouse ride, all driven by a new kind