Venice Film Festival artistic director Alberto Barbera is adamant about his decision to place six Italian movies in this year’s 23-title festival lineup. “Nobody accused
Author: David Keslassy
‘Dune: Part Two’ delayed until 2024 amid Hollywood writers’ and actors’ strikes
The ‘Dune’ sequel was previously set to release in November this year. Will others follow suit? Warner Bros. announced that Denis Villeneuve’s Dune sequel, originally
Kiss Scenes That Were Never Supposed To Happen
Just like in real life, in movies and TV shows, not everything we see was written in the script. Lines — and sometimes entire scenes
Madonna Announces Rescheduled Dates for North American Leg of Celebration Tour
The tour will officially kick off in London on Oct. 14 and will first visit the U.S. on Dec. 13 at the Barclays Center in
‘Playground’ Review: School Days Are Very Much Not the Best Days in a Raw
An ordinary primary school becomes a terrifying psychological battleground in Laura Wandel’s deeply unnerving first feature. It has been claimed that women who forget the
Montclair Film Festival Announces 2021 Award Winners
The Montclair Film Festival (MFF) today announced the winners of the festival’s 2021 film competitions. This year’s festival featured four competitive categories: Fiction, Documentary, Future/
Ending Disease review – a powerful case for the miracle cure
In focusing on the stories of recovery this documentary, following patients participating in stem cell research trials in the US, allows the optimism to outshine
Dead & Beautiful review : slick vampire drama gets its fangs into the super-rich
Black Mirror meets Succession in this arthouse-y psychological vampire drama, the story of five super-rich millennials – the bored, entitled offspring of global billionaires –
Lady Gaga Returns to Las Vegas Residency “652 Days” Since Last Show
“You know it’s been 652 days since I have seen this audience,” said Lady Gaga Thursday night at Las Vegas’ newly minted Dolby Live theater
‘Inexorable’ Review: A Nanny From Hell in a Nest of Old Money
A usurper melodrama by any other name is still a usurper melodrama, and Fabrice du Welz’s latest doesn’t really try to cloak its genre conventions:
